Lindsay was released from jail after serving just 13 of 90 days sentence for violation of her court probation in a 2007 incident for drunk driving and cocaine possession. She was released on the grounds of good behavior and to help the overcrowded jail. system. For those who disagree with her early release, I will teach you in this Photoshop CS4 tutorial how to put Lindsay back in jail and for those who agree with her release, it will be a good Photoshop montage technique to learn.

I will use these two images for our tutorial:

Step 1.- Create cell bars layer

Because the cell bars are made up of straight lines, it’s easy to work with it, just select the lasso tool and hold down the alt key to constrain the tool to creating straight lines between pair of click points.Make sure just to select the bars and avoid the background. You have a selection as shown in the following illustration:

Step 2 Create a new layer from selection

Now we our lasso tool selection go to Layer-New-Layer via cut, now we have a new layer that is in top of our background layer, if you hide the background layer then you’ll see that we have a layer with just cell bars selection.Ok, now we need to place Lindsay in between the two layers and we have our actress behind bars, as simple as that! The most tedious part is to make the bars selection and the rest is piece of cake.

Step 3 Add hue saturation and vibrance

Select the actress layer and go to Image menu and select Adjustments -Hue saturation in the window select the following values:

Now to affect the hue and saturation just to our actress image we need to hold down the ALT key and click in between the two layers in our layer s panel

Now we need to add a vibrance layer, go to image menu select Adjustments-Vibrance and set the following values:

Step 4 Final touch

Now that we have all in place we need to replace the nasty gray blanket with a nice bed comforter to make her staying pleasurable . just grab any bed comforter from the web a put in place; just make sure to put the image just above the background layer, resize and rotate it as necessary. So we have our actress in top of the bed comforter right? Now we need to create another layer so hold down Ctrl +Alt +Shift + E, this way we have an image with all the layers without flattening the layers.

Change the layer blending mode to overlay and set the opacity value to 60% and here we have the final image result:

Updated news: Our lovely Lindsay is in rehab treatment and she is doing pretty well. Good for her!


Rainy day-photomontage

In this Photoshop showcase I’ll show you a transformation of a really nice picture into a nasty weather image, also I’ve done some photomontage to the original picture, and the rain was created with Photoshop animation feature. Although the rain can be re-created easily in Flash, for some beginners it may be a daunting task so in an upcoming tutorial I’ll show you how to create this effect using just Photoshop CS4 so stay tune for this nice tutorial.

Original picture Plaza Armas Lima Peru

click on the image

click on the image to see the rain effect

You ever wonder how the TIME magazine cover is created?.Although most of the professional designers use Illustrator, this opportunity I’ll show you how to obtain the same amazing  results using Photoshop CS4.
Here is the image I’ll use for this tutorial.

Here is the final image we’ll have done after finishing this tutorial:

Note:The use of TIME magazine logo on this tutorial is just for instructional purposes and not intended to violate the magazine copyrights.

Step 1: First at all we need to crop the original picture

The image is a little bigger for our purpose  therefore we need to crop it so we can have a nice portrait image suitable for our  magazine cover.

You can crop an image using the Crop tool  located in the tools bar section. Select the crop tool and in the options bar set the width to 500px and the height to 613px:

With the Crop tool selected Drag over the part of the image you want to keep to create a marquee.It’s is not necessary to be precise, we can fix later.If you need to move the marquee just click inside and drag over to the right or left until the marquee is in the desired position.

When our marquee selection is in the desire position press Enter to crop our image and now we have a nice pic to work with.

Because this picture is nice and clean we don’t have to worry about retouching, so let’s focus on the magazine design and typography.

Step 2: Create the red edges around the magazine cover.

There are many ways to create the red border around our cover, but I want to show you an easy and painless way to do it.

Set the foreground color to red:

Select the Rectangular marquee tool from the tools bar and make a selection approximately 5 pixels from picture borders as shown below:

To make a marquee selection can be a little tricky if you are a beginner so I recommend to use the Rule as guide. To make the Rule visible go to the menu bar and click on view and then in the drop down menu click on Rules and the rule will show up around your work stage.

You’ll see like marching ants in your image, now go to the Menu bar ,click on Select menu and in the drop down menu click on Inverse:

Now the photograph will look like the image below:

With the inverse selection press ALT + Backspace to fill the selection with red color ( make sure the foreground color is set to Red) and there we have the red edges around the cover! sweet isn’t it?. Press Ctrl + D lo deselect the marquee.

Now we are ready to move on and fill our image with some Text.

Step 3: Adding text to the image

Select the text tool, set the font type to trajanus brick, in case you don’t have this font type in your computer you can download for free from: http://www.sostars.com/trajanus-bricks-font,although this font is not the same as the used in Time’s magazine, it is pretty close for our purpose in this tutorial.

Type the word TIME and then go to Window menu, select character and set the following values in your character window :

Make sure to select your font color to red.

Now that we have our Time text we need to fix something; you may noticed that there is too much space between the letter T and the I, let’s fix it. I’ll show a trick to solve this situation that you can use it in some others projects where you need to apply special effects to a single text character.In your layers panel right click in your text layer and from the menu select rasterize now select the rectangular marquee to draw a selection on the letter T , now with the right arrow in our keyboard click a few times to put the letter T in place close to the I, press Ctrl+D to clear the selection, now you have your TIME text ready to put in place, just click in the move tool and put in the position as shown in the final image above.

Step 4 Add the rounded rectangle shape

From our tool bar menu select the rounded rectangle tool and draw a shape similar to the one we have in our final image, make sure your foreground color is set to black, now that we have our shape double click in the shape layer and select stroke from the layer style window and set the following values:

Now we are ready to put some text in our shape.

Select the text tool make sure your foreground color is set to white, and type your text, in this case PERSON ON THE YEAR, and from the window menu select character and set the following values:

Just place your text inside the shape.

For the other text in our magazine I used Times New Roman font, white, bold.set the appropriate size and type any text you want.

Step 5 Adding barcode image:

Finally you can add a barcode image, get one from google or use the image above, resize it if necessary and put in place, and you have your TIME magazine front cover ready for publishing.

Our final front cover magazine

The twelve angles stone is located in the Hatum Rumiyoc street in Cuzco Peru close to Plaza de Armas. It is a very narrow pedestrian  street where thousands of people from around the globe gather to admire the magnificent Incas work and tradition.Nowdays still is a mystery how the Incas could fit these huge stones precisely. In this tutorial I’ll show you how to create carved text in stone with Adobe Photoshop…not even close to the Incas technique…but ..let’s try !!

The final image after we're done with the tutorial

Here is the image I’ll use in this tutorial :

Step 1 Create your own text

Just create any text you want, in this case I’ll use my own logo text and my font type is Calisto MT, Bold ,20px, make sure the text is large enough to fit within the 12 angle stone if you are using this picture.

Once you have your text, select the Move tool (cross shape icon,the first one in your tool bar) and click on your text to position  in the middle of the stone, then select the transform tool (ctrl+T) to rotate our text, move the pointer outside the bounding box(it becomes a curved both- side arrow ) and drag up or down to position your text .

Step 2 Create our carved stone text

Ok, now that we have our text in place lets edit it to convert in carved text.

With our text layer selected( highlighted in blue in the layer panels ),double click it to open the layer style dialog box and select Inner shadow option and apply the following values :

Next in the same layer style dialog box select Bevel and Emboss and apply the following values:

Next in the layer style dialog box select stroke and apply the following values:

Finally, to get a better result reduce the text layer opacity from 70 to 73 percent.

And here we have our final image ..I hope you like this tutorial and see you in the next one.

In this tutorial I’ll show you a trick that every photo-montage artist must have in his or her toolbox. Every photoshop professional must be able to achieve this trick easily. So ..open the door without key ( key is lost…sorry).
Here is this nice picture I’ll use in this tutorial:

And I’ll use this little puppy for an extra touch to our photomontage:

Puppy picture courtesy by: GettiyImage.com, thanks!

Step 1: Use rectangular marquee to select door

Use the rectangular marquee to draw a selection to include just the door, not the frame, and once you have the selection cut it in a new layer using shift-ctrl-J or click on layer menu and from the down list menu select New-Layer via cut as shown below:

Step 2 Use free transform tool

Make sure your new layer is selected ( is highlighted in blue) and with the Free transform tool ( Ctrl + T ) hold  Ctrl-Alt_Shift while dragging the top left corner handle to get a true perspective distortion, release Ctrl-Alt-Shift then use the center handle to make the door narrowed as shown below:

Step 3 Fill in the blank!

Now we need to fill with black color the white space between the door frame and the door itself, so get the bucket tool ( make sure your foreground color is set to black and the background layer is activated) click in the area and fill with black.

Easy enough we have our door open with our spare key!!

Step 4 Nice magic touch!

Now we can add our little puppy to the scene, make sure the puppy layer is between the background layer and the door layer, put the puppy image in place, resize if necessary and your photo-montage is ready for publish!!

Here is our final image, hope you like it.

If you want to walk an extra mile on this tutorial, you can incorporate a door background to fill the black space, just use the rectangular marquee tool to select the visible portion of  the black background then copy and paste into your new image and resize as necessary  and there you have a nice and more realistic looking picture.

Occasionally I will post in this blog websites where you can find very useful stuff. This opportunity I will share with you three interesting Microsoft sites where you can download free and reliable antivirus, free scan and fix your computer site and finally free professional software, yeap ! free of charge from Microsoft, but the only requirement is that you must be registered as student in a  high education institute or high school, so check it out to see  if your school is listed or qualify,there is  support in different languages..so..why not to give a try?? good luck and hope you enjoy this free stuff.




In this tutorial I will show you how easily you can improve someone’s skin in a photo without blurring out important image details, such as the person’s eyes and mouth . in this case I’m going to use a photo that I needed to do some work before I used it to create a magazine front cover (Vanidades en español).

Here’s the image I’ll be working with in this tutorial.

The original picture

It’s a nice photo, but it would probably look even better if we softened her skin a little. Here’s how she’ll look like when we’re done with this tutorial,big difference ah?

The final image result with a fresh nice looking skin and green eyes

Step 1: Duplicate The Background Layer

With my image newly opened in Photoshop, I can see in my Layers palette that I currently have one layer, the Background layer, which contains my original image.Now, create a copy of your background image , to do that  use the keyboard shortcut Ctrl+J (Win) / Command+J Mac).If I look again in my Layers palette, I can see that I now have the copy, which Photoshop has automatically named “Layer 1”, above the original Background layer:

Step 2: Change The Blend Mode Of “Layer 1” to “Overlay”

With “Layer 1” selected in the Layers palette (the currently selected layer is highlighted in blue), go up to the layer blend mode option in the top left corner of the Layers palette. It’s the drop-down box that’s currently set to “Normal”. Click on the small down-pointing arrow to the right of the word “Normal”, which brings up a list of all the different layer blend modes we have to choose from, and select Overlay from the list:

As soon as you change the blend mode to Overlay, you’ll see a big increase in contrast and color saturation in your image:

Step 3: Apply The “High Pass” Filter To “Layer 1”

To smooth and soften the woman’s skin, we’re going to use Photoshop’s High Pass filter. To access the High Pass filter, make sure you still have “Layer 1” selected, then go up to the Filter menu at the top of the screen, choose Other down near the bottom of the list, and then select High Pass:

This brings up the High Pass filter’s dialog box, which is made up of a large preview area and a single option, Radius, down at the bottom. The High Pass filter looks for details in an image, such as the edges around people, objects, and so on. The reason why it’s so effective at image sharpening is because it allows us to sharpen only the edges in an image while leaving everything else untouched.

To do that, begin dragging the slider at the bottom of the dialog box to the right until you have your Radius value set to somewhere around  4 or 5 pixels. If you’re using a high resolution image, try a higher setting somewhere around 9-10 pixels. As you drag the slider towards the right, if you keep an eye on the preview area in the dialog box, you’ll see more and more areas of the image become affected by the filter, starting with only the finest details and then gradually expanding to include more and more of the photo. If we were sharpening the image, we would want to stick to a very low Radius value to target only the edges themselves, but for our softening effect, we need to go a bit higher:

Click OK when you’re done to exit out of the dialog box. If I look at my image now in the document window, it looks like I’ve gone way too far with my image sharpening.

Step 4: Invert “Layer 1”

So far, we’ve used the High Pass filter to sharpen all the edge details in the image, but what we really want to do is smooth and soften everything that is not an edge detail, like the woman’s skin. In other words, we want the opposite of what we currently have. We want to soften all the non-detail areas while leaving the edges alone. To do that, all we need to do is invert the layer!

With “Layer 1” still selected, go up to the Image menu at the top of the screen, choose Adjustments, and then choose Invert, or for a faster way, use the keyboard shortcut Ctrl+I (Win) / Command+I (Mac):

Once you’ve inverted “Layer 1”, take a look at your image in the document window. A moment ago, the image was suffering from an extreme amount of sharpening, but now everything appears soft and blurred-out. That is, everything except the important details in the image. The woman’s eyes and mouth are slightly blurred out, but nowhere near the extent of her skin:

Step 5: Lower The Opacity Of “Layer 1” To Fine-Tune The Amount Of Skin Softening

We need to do is lower the opacity of “Layer 1”. Go up to the Opacity option in the top right corner of the Layers palette. You’ll see the word “Opacity” and that it’s currently set to a full 100%. Click on the right-pointing arrow, which brings up a small slider bar, and simply lower the opacity of “Layer 1” until the smoothing looks more natural. There’s no set amount to lower it to since it will depend on your image, so just keep an eye on your image in the document window as you drag the slider. I’m going to lower my opacity down to about 80%,your value may be different.

Step 6: Add A Layer Mask To “Layer 1”

To completely remove any softening from the important details in the woman’s face, I’ll need to use a layer mask. To add a layer mask, again make sure “Layer 1” is selected and then click on the Layer Mask icon at the bottom of the Layers palette:

Step 7: Select The Brush Tool

We’re going to paint on the layer mask, and for that, we need the Brush Tool, so either grab it from the Tools palette or press the letter B on your keyboard to select it with the keyboard shortcut:

Step 8: Set Your Foreground Color To Black

Since we need to paint with black, we’ll need to set our Foreground color to black, since the Brush Tool paints with whichever color we have our Foreground color currently set to. By default, whenever we have a layer mask selected (which we currently do), Photoshop sets the Foreground color to white, while setting the Background color to black. We can easily swap them by pressing the letter X on the keyboard. As we can see in the Foreground and Background color swatches near the bottom of the Tools palette, we now have black as our Foreground color (the top left square) and white has become our Background color (bottom right square):

Step 9: Paint Over The Details In The Face To Hide The Softening Effect

With our Brush Tool selected and black as our Foreground color, we can now paint away the softening effect over any areas where we don’t want it. Painting with black on the layer mask doesn’t actually “remove” the effect, it simply hides it from view. If we change our minds later and want to bring the effect back in areas where we’ve hidden it, all we’d need to do is paint with white over those areas to reveal the effect once again.

Using a small, soft-edged brush, I’ll paint over the woman’s eyes and mouth to completely hide the softening effect from those areas. You can change the size of your brush at any time by pressing the left bracket key on your keyboard to make the brush smaller or the right bracket key to make it larger.

I’ll continue painting away any softening effect over her mouth, and maybe over the bottom of her nose and her eyebrows as well. If we look at the layer mask thumbnail, we can see all the areas where I’ve painted with black:

Step 10: Paint Away The Effect From The Rest Of The Image

As I mentioned a moment ago, you don’t have to limit the softening effect to only the skin if you like how the effect looks when applied to the entire photo. But if you do want to limit the softening and smoothing to just the person’s skin, simply use your Brush Tool and with black still as your Foreground color, paint over everything in the photo except for the person’s skin.

To walk an extra mile on this tutorial, you can retouch the image eyes, select from color picker the following values:

Select a soft brush and set the opacity from 12 to 20% and apply the brush over the image’s eyes setting the appropriate size for the brush and that’s it.

Here is the final image of the magazine front cover! Typography is another tutorial that later on I’ll show you how to select the right colors and fonts to create amazing magazines covers!!